When life takes on the feeling of being trapped in a never ending roundabout, it’s nice to stop, step back and search for balance. I find solace in Art History.
The Dada Movement inspires me. Born of the chaos of World War I the Dadaists embraced all facets of art as an authentic means of expression. Tristan Tzara, a man with a poet’s heart and a founding member of the movement, composed his work by cutting up newspaper articles and selecting words at random. Following his lead, I cut text from a variety of sources and a photo of Tzara into strips.
The more I looked at the material on my work table, the more I wanted to free the collage to build itself. As was the choice of many Dadaists I wanted to follow the laws of chance. Using this technique and a photo of a pair of cupped hands, a design began to emerge.
To complete the work, I turned to the pages of my Strathmore Visual Journal. It is such a great resource to have at hand…everything in one place ready for use. It was from these pages that I chose the Artistcellar Marked and Blocks series.They were the perfect compliment. Not only did the colour of the neon acrylics and organic Marked shapes enhance the collage, but I was happy with the straight edged Open Work design. It was the perfect foil. Artistcellar stencils never disappoint!
Working in the method of the Dadaists did the trick. The commotion surrounding me slowed and became ordered and, almost magically, not as chaotic.
It was then I realised something I knew in my heart all along. Making the decision to leave some things to chance is beneficial in…my work as well as in life. It is true that when we learn to let go of what we can’t change, we are open to the possibilities of what we can. We are free to follow the laws of chance, knowing that the decision is always in our hands.