"Sunshine, lollipops and rainbows
Everything that's wonderful is what I feel when we're
together…"
Lesley Gore/Marvin Hamlisch, Composer
And who said crayons are just for kids?
Included in my most recent box of delight from
Artistcellar was a set of Tim Holtz Distress Crayons. And with names like Peacock Feathers, Twisted
Citron, and especially Mermaid Lagoon I couldn’t wait to start using them.
I have long been a fan of the Tim Holtz line of Distress
Inks. I love the wide range of colours and the deliciously descriptive names.
The quality is always consistently high and I expected the same from the new
line of Crayons. I was not disappointed.
Of late, I have been working with my metallic acrylics or
watercolours. Receiving the Crayons was a good excuse to bring out the Distress
Inks once again. Opening the box I keep them in was like opening a door and
visiting with an old friend. The Tim Holtz line was my first purchase when I
ventured into Mixed-Media. And what an adventure it has been!
A new addition to my supplies is a Strathmore Mixed-Media
Journal – 300 Series. The compact size is perfect for working with my
Artistcellar stencils. I am now well on my way to building a library of
background images…all easy to find and in one place! Now if only I could get a
Mineral Paper spiral bound notebook. That would be Nirvana!
I started my work on Strathmore Watercolour Artist
Trading Cards. I chose to keep the colours warm and bright. I covered the card
with a wash of Tim Holtz Spiced Marmalade Ink and flat Royal Langnickel
watercolours using my Sakura Koi Waterbrush.
The waterbrush is a great tool to have in your collection. It saves
time, can be taken on the road if you are an en plein air artist, and can give
you everything from a swath of colour to a thin line. It’s great!
With Journal in hand I chose my favourite Artcellar
stencil series: Halftone Dots and Seafoam. I wasn’t sure which applicator would
best compliment the crayons. I applied the colour with a natural sponge,
cosmetic sponge and the Tim Holtz Blending Tool. The crayons are soft and it’s
easy to transfer colour to your applicator.
When pushed through the stencil the natural sponge gave a spotty
textured effect. The Blending Tool and cosmetic sponge were equally successful,
giving me the soft gradated look I was after…all sunshine, lollipops, and
rainbows.
Getting out my Distress Inks was truly like visiting an
old friend and reminiscing about happy times past at the start of my
Mixed-Media journey. This explains my
choice of using this fashion photo from a 1950’s collage sheet. The women look
so joyful…sharing a secret, spending time together, and capturing a moment that
will stay with them forever. I am sure you have similar memories. Aren't we
shaped and molded by the memories we hold closest to our hearts? And the
friendships nurtured through the years are always the sweetest…like sunshine,
lollipops and rainbows.
MATERIALS USED:
ARTISTCELLAR HALFTONE DOTS SERIES STENCILS
ARTISTCELLAR SEAFOAM STENCILS
TIM HOLTZ® DISTRESS CRAYONS – SET #1
TIM HOLTZ® BLENDING TOOL
TIM HOLTZ® DISTRESS INKS
NATURAL SPONGE
MAKEUP SPONGE
ROYAL LANGNICKEL WATERCOLOURS – FLAT & PEARLESCENT
SAKURA KOI WATERBRUSH
STRATHMORE MIXED-MEDIA VISUAL JOURNAL 300 SERIES
STRATHMORE 400 Series Watercolor Artist Trading Cards
DIGITAL IMAGE – FASHION OF THE 1950’S
