Showing posts with label collage. Show all posts
Showing posts with label collage. Show all posts

Thursday, 24 May 2018

ABRACADABRA! The Magic in You!

“I am a great admirer of mystery and magic. Look at this life. All mystery and magic.” - Houdini

Do you believe in magic? Are you intrigued as I am by stage magicians? Even if I know the secret to the trick, I still relish the performance. Mystery and magic. I can’t get enough of it.

For my next Artistcellar Design Team project I wanted to experiment with a supply I haven’t used in a long time. I have always enjoyed adding embossing powders to my art. There is something about the magical transformation from powder to a liquid metal effect that I find sublime. I recently purchased a set of Seth Apter’s Baked Texture Embossing powders. With delicious names like Chunky Rust, and Vintage Beeswax I couldn’t wait to create with them.
My other recent obsession is image transfers. I have been attaching images to an array of papers. Although they widely vary, it's interesting to see the final results. When they work, it’s like holding a bit of magic in your hand. Most of my transfers have been produced from photocopies of engravings. The line work holds well to the substrate. I wanted to try a halftone photo. I decided to try my luck with a photo of a woman in a top hat I saw in a book. Because I wanted a transparent finish I transferred the photo to a tea bag. After a bit of soaking and rubbing, I was pleased with the results.Her magnificent tuxedo and top hat sparked my curiosity. I could imagine her backstage, ready to share an evening of illusion and misdirection to an enraptured audience.
Using an old library book cover for the substrate I began the collage. I glued a piece of joss paper to the cover and layered the image transfer on top. While it was drying, I covered a selection of papers with embossing ink using my Open Work stencil from the Blocks series. I especially liked the colour and texture I got from the Ancient Amber powder on the tea bag.
I also tried the powders on a piece of parchment paper. As the powder set, they lifted from the paper and I glued them to the design as free standing jewels. I liked the old carnival poster effect of the piece. I completed the work with tissue paper from my last project, a bit of French newspaper I covered with Vintage Beeswax powder, and papers infused with real beeswax.
Every time I create I dive into all that is magical and mysterious. The magic has been the discovery of a new way to use a supply. The mystery often times is just the process of creation. My hope is that you follow your inspired heart. It can guide you to places and people who will forever enchant your life.

 MATERIALS USED:
  • ARTISTCELLAR STENCILS: HALFTONE DOTS, BLOCK SERIES (Open Work)
  • HANDCUT DIAMOND STENCIL
  • PLAID ACRYLICS: Sunflower, Inca Gold
  • DECOART: Sunny Day, Blue Harbor, Sea Glass, Desert Turquoise
  • DYLUSIONS PAINT: Vibrant Turquoise, Cut Grass, Fresh Lime, London Blue, Crushed Grape, Squeezed Orange, Bubblegum Pink, Postbox Red
  • DINA WAKLEY ACRYLICS: Blushing
  • REEVES: Bronze, Gold
  • SETH APTER - EMERALD CREEK EMBOSSING POWDER (Ancient Amber, Chunky Rust, Vintage Beeswax, Patina Oxide)
  • STAMPENDOUS CLEAR EMBOSSING INK
  • LIQUITEX MATTE MEDIUM
  • NATURAL SPONGE
  • PAINTER’S TAPE
  • HEAT GUN
  • TISSUE PAPER
  • JOSS PAPER
  • WAX INFUSED PAPER
  • VINTAGE FRENCH NEWSPAPER
  • LASER PHOTOCOPY  
  • HARDBACK BOOK COVER

Tuesday, 20 March 2018

What Makes You Glad?

“Stay close to anything that makes you glad you are alive.”- Hafiz of Shiraz

It’s been cold, snowy and in my humble opinion, a dreadfully extended winter. On this first day of Spring we are once again under a Weather Advisory with snow is in the forecast. I keep reminding myself that, at last, March is here. I am more than ready for longer and warmer days. The first day of spring, for me, is forever linked with the Persian New Year festival of Nowruz. Starting on the day of the vernal equinox and literally meaning "new day", Nowruz celebrations continue for two weeks ending with an outdoor picnic. Inspired by the holiday, I couldn’t wait to start my next Artistcellar Design Team project.

Although too cold in many parts of the country for a picnic, I wanted to send some warmth through the mail. Junk mail is a plethora of inspiration for mixed media artists. Digging through my collection of envelopes, I decided to recycle one with a window. I masked out the cellophane opening with surgical tape and started my background with a textured natural sponge and Dylusion Paints. Once the background was dry, I started stenciling.

The Artistcellar stencil range is known for its diversity.  You will always find just the right stencil to create inspired work. This time I wanted to feature the flying dragonflies and cherry blossoms of the Traditional Japanese series. I used the Playful Pods as a hint of what the envelope would hold. The stencils effortlessly conveyed the spirit of all things fresh and new.
Recently I have been experimenting with used tea bags. I have been exploring different techniques…trying to get a feel of what works and what doesn’t. I chose two of my bags to use as seed packets. Keeping with tradition, I filled one with wheatgrass. I packed the other with forget-me-not seeds. They will show through the window when I get them ready to mail. An added bonus…my surgical tape mask is now washi tape for use with another project.
It’s been difficult getting through the dark days of winter. But with the first day of spring and the celebration of Nowruz I now have a good excuse to fill the house with hyacinths and tulips. And here is my wish for you: I hope you surround yourself with all that makes you glad to be creative and alive. Happy Spring!

MATERIALS USED

Tuesday, 23 January 2018

Life is a Minestrone...


"Life is a minestrone
Served up with Parmesan cheese
Death is a cold Lasagna
Suspended in deep freeze."
"Life is a Minestrone" - 10cc – Eric Stewart, Lol Creme
Who doesn’t like soup? Warm, comforting, encouraging you to release your creativity with each new recipe, it is just the thing to lift my spirits. As we trudge through more cold and snowy winter weather, the smiling woman in the vintage magazine ad carrying home her paper bag of Campbell’s soup and an article in a local magazine inspired me.

I have taken part in a particular charity postcard exchange for the last several years. For this submission, my mind was set on the image I wanted to use. I then needed to decide on how to create the design I had in mind. If you are like me, you know when an art supply is “just right”. The incredible range of Artistcellar stencils always help me find precisely what I am looking for in minutes. Spreading out my stencils, my eye was drawn to the Quasicrystals and Blocks Series. Yes…they were “just right”.

The card came together fairly quickly. I lightly coated a postcard size piece of cover stock with gesso. Choosing my sponge with the most texture, I applied several shades of Dylusion Paint. Working wet on wet I sponged the wonderful Bubble Gum Dylusion Ink Spray to build the background. I wanted to create a sensation of warmth and happiness. Using Dylusion products never disappoint. The colours are as rich and vibrant dry as they are wet. Again…they were “just right”.

Cutting out the image of the woman from the ad, I glued it to the card. A local monthly magazine runs the most amazing food column. The recipes are carefully thought out which makes them easy to successfully replicate. This month paid homage to a rich and robust Minestrone, one of my all-time favourites. Reading through the ingredients, an old song came to mind…"Life is a Minestrone". I cut out sections of the recipe to surround our shopper. I completed the postcard with a spray of colour in the shape of Quasicrystals Infra. Adding balance to the design, I stencilled Open Work Blocks in metallic gold.
Returning to my inspiration, I believe our lives always revolve around choosing a little bit of this, maybe a tad of that. We make the best of mixing what we have on hand. But I am convinced that with a dollop of creativity and a dash of invention our lives can be as truly nourishing as a simmering Minestrone.


MATERIALS USED:
  • ARTISTCELLAR STENCILS: QUASICRYSTALS (Infra), BLOCKS (Open Work)
  • LIQUITEX WHITE ACRYLIC GESSO
  • LIQUITEX MATTE MEDIUM
  • SCOTCH SCRAPBOOKERS GLUE
  • DYLUSION PAINT: Squeezed Orange, Bubble Gum, Vibrant Turquoise, Fresh Lime
  • DYLUSION INK SPRAY: Bubble Gum
  • DINA WAKLEY MEDIA: Blushing
  • PLAID: Sunflower
  • DECO ART: Blue Harbor
  • REEVES: Gold                                                                        
  • PRO ART BRUSH: 1” Bristle
  • NATURAL SPONGE
  • 130 LB COVER STOCK
  • VINTAGE ADVERTISEMENT IMAGE
  • RECIPE FROM A MAGAZINE

Friday, 5 January 2018

If You Are Reading This...

If You Are Reading This - Collage
“Because of your smile, you make life more beautiful.” – Thich Nhat Hanh
There is wisdom in the saying “One person’s trash is another’s treasure”. For a collage artist, the aftermath of the Holidays brings with it the immense potential of discarded materials.  There’s a lot to be said for scavenging through the rubbish to find an inspirational gem or two. It was there I found the start of my next Artistcellar Design Team project.

My substrate is a piece of thin corrugated board that surrounded a picture frame. Using an inexpensive one inch brush I applied gesso with a light touch. I liked patchiness and bristles left behind as the gesso dried. You can still see a little of it through the brushed and sponged acrylics. 

My stencil choice this time was Open Work from the Blocks Series. Rather than spray, I used a wet sponge to dab on Bubble Gum Dylusion Ink Spray. I liked the watery finish as it bled under the stencil.
Greeting cards are a wealth of ephemera. The gold foil was peeled from the inside of an envelope. Next to it I layered sewing pattern paper, a price sticker, a stamp and a line found in a magazine: “If You Are Reading This”. My final bit collage work included a clipping from a book page that I infused with beeswax some time ago. Many of us have hailed the end of 2017. With the start of the New Year, my waxed paper seems timely…quotes about the qualities of the word “smile”.
My continued goal for 2018 is to live mindfully, to slow down, and to enjoy the wonder that surrounds me. This is the reason I inverted the waxed paper quote. If anyone is reading, perhaps they will pause and enjoy the moment…and hopefully it will encourage them to smile as well. The Quasicrystals’ Infra stencil applied in a variety of contrasting Dylusion Paint colours completed the work. 

The New Year is finally here. I am filled with hope. And is there any better way to make the world a beautiful place than with a smile?

MATERIALS USED:
  • ARTISTCELLAR STENCILS: QUASICRYSTALS (Infra), BLOCKS (Open Work)
  • LIQUITEX WHITE ACRYLIC GESSO
  • LIQUITEX MATTE MEDIUM
  • SCOTCH SCRAPBOOKERS GLUE
  • DYLUSION PAINT: Squeezed Orange, Bubble Gum, Vibrant Turquoise, Fresh Lime
  • DYLUSION INK SPRAY: Bubble Gum
  • DINA WAKLEY MEDIA: Blushing
  • PLAID: Sunflower
  • DECO ART: Sky Blue, Blue Harbour, Sea Glass
  • RUBBER STAMP                                                                    
  • PRO ART BRUSH: 1” Bristle
  • NATURAL SPONGE
  • CORRUGATED BOARD
  • WAX INFUSED BOOK PAGE
  • VINTAGE POSTAGE STAMP, PRICE STICKER, DRESS PATTERN PAPER, MAGAZINE CLIPPING, GOLD FOIL

Monday, 27 November 2017

The Magical Sparkle of "Thank You"

“If the only prayer you ever say is ‘Thank You’ that will be enough.” – Eckhart Tolle
 
Looking out over our frost kissed lawn has been a not so gentle reminder that Winter is on the way. But rather than curse the cold, I embraced the sparkle and shine as inspiration for my next Artistcellar Design Team project.

Working with my favourite substrate, Illustration Board, I covered the surface with a smooth coat of gesso. The next layer added was an article about the Dada Movement printed on slightly yellowed newsprint paper. There was a little bit of bleed when I covered the print with Matte Medium. I liked the way the ink became bolder in certain areas as it dried. Looking for a bit of texture, I mopped on white gesso with a rough natural sponge. My board took on a white, frosty appearance … exactly as I had hoped it would. Slow to dry completely, I left it out overnight and in the morning I was ready to begin.

I wanted the look of lace for my background. Artistcellar’s Quasicrystal stencil Quasi, was perfect. I applied the pattern with Champagne metallic acrylic. Combined with the white gesso, it gave me the nostalgic effect I was after.

I’ve had the image of the two women kicking around my scrap box for some time, and I knew this was the perfect setting for them. I only wish I knew who they were and the reason for the photo. They do look happy to be sharing time together. Perhaps I could create an interesting history for them with the elements I had at hand.

I have been winterising the flower beds around the house and salvaged a few dried hydrangea blossoms. The colour was perfect and the petals held up well when glued to the board. My finishing touch was the series of jewelry tags, covered in liquid acrylic and a few Halftone Dots.
As the seasons blend one into the other, I know I am guilty of allowing the daily mechanics of existence to dull the sparkle and shine of living life mindfully. With the celebration of Thanksgiving I am reminded that a simple “Thank You” has the all the magical sparkle we need.

MATERIALS USED:
  • ARTISTCELLAR STENCILS: QUASICRYSTALS (Quasi & Infra), HALFTONE DOTS
  • INKADINKADO RUBBER STAMP: Moth
  • LIQUITEX WHITE ACRYLIC GESSO
  • LIQUITEX MATTE MEDIUM
  • MEMENTO DYE INK: Tuxedo Black
  • DYLUSION PAINT: Squeezed Orange
  • PLAID: Champagne, Sahara Gold                                      
  • DALER-ROMNEY: Acrylic Ink Velvet Violet
  • DALER-ROMNEY: Liquid Acrylic Galactic Blue
  • NATURAL SPONGE
  • JEWELRY TAGS
  • BEES WAX INFUSED BROWN, ART PAPER, & DOILY
  • COFFEE STAINED GAUZE
  • SURGICAL TAPE
  • DRIED HYDRANGEA PETALS
  • STORE TRADING STAMP
  • VINTAGE IMAGE
  • ILLUSTRATION BOARD

Friday, 27 October 2017

Restoring Sanity & Reviving Creativity

“Letter writing is an excellent way of slowing down this lunatic helter-skelter universe long enough to gather one’s thoughts.” – Nick Bantock

If you are like me, you are not averse to peeking into a trash can now and again…without shame! Collage and mixed-media artists all know the unsung wastepaper basket can be an absolute treasure trove. It was in a receptacle of wonder that I found the discarded interoffice envelope I used as the heart of my next Artistcellar Design Team project.

The envelope was still intact. Originally used to communicate between workplace departments, with a bit of creativity I could turn it into a place to hold new notes and letters. And so the work began by brushing Ruby, Blushing and Lemon Dina Wakley Acrylics directly on to the envelope. To keep the colours transparent I mixed the paint with glazing liquid. It is wonderful to add to your paint, allowing you to get just the right amount of transparency for your art.

I covered a shipping tag with Vibrant Orange Dylusion Paint. When dry I stamped on a Gibson Girl image with dye ink. It was now ready to place. I hooked the cord around the red tab at the top and glued the tag in place. The pen nibs at the bottom of the envelope were added with stamp pad ink…just the image for the new purpose of this envelope.

I decided to try my hand at making Washi Tape. Laying a few lengths of first aid surgical tape to wax and freezer paper, I wanted to see which would be a better substrate when I started my stencilling. Both worked well. So if you are out of one or the other, you can still create your own tape. Using the Artistcellar Open Work Block I stencilled in various shades of Dina Wakley acrylics, highlighting with touches of gold. The colours held true and dried quickly. Tearing the tape was easy and gave me the finished look I was after.

I continued adding elements as they came to hand…more Artistcellar stencils (of course!), crayon scribbles, printed paper, and even a pencilled inscription. I threaded ribbon though the already drilled holes. Tied at the back, it secures my new enclosures with a bit of inspiration.

Slowing down is always a good idea. I agree that we do have a helter-skelter universe, now more than ever. But taking time to see the wonders of the world around you restores sanity and revives creativity. And aren’t these a fantastic qualities to share through the written word?
 MATERIALS USED:

Thursday, 8 June 2017

What are YOU Curious About?

“Never lose a holy curiosity.” -  Albert Einstein
Have you tried Art Journaling on playing cards? I enjoyed it so much I decided to continue with the project. I suppose my curiosity got the better of me.

Inspired by the saying “In The Moment” I found printed in a catalogue I made it my goal. I prepped the cards by lightly sanding them and then giving them a coat of gesso. I placed all of the cards face up on my table and began randomly layering acrylic paint. Whatever colours came to hand I used. Once dried, I flipped to the back and began working. I love the new Tibet Series by Artistcellar. I wanted to incorporate the Eternal Knot stencil in some way. Although too large to completely fit on a playing card, when dropped here and there on the cards the stencil certainly added interest.

It’s been a long time since I looked through my collection of rubber stamps and clings. The Curious Possibility clings by Tim Holtz was just perfect for what I had in mind! Combined with a few images I had in my collection I got just the right Victorian vibe I wanted. 

Many artists like to cover the images printed on the playing cards completely. I like to allow the flavor of the card to show through where possible, lending interest additional design elements.

To complete this series I highlighted portions of the back design with Tim Holtz Distress Crayons and DecoArt Crackle Paste. 
 
One word of advice: I used my heat tool to get the layers to dry faster. I believe I got a little too close as one of the cards “popped” and buckled. My guess is the plastic coating just didn’t like the heat.

As artists curiosity is the force that inspires us to create new work. Journaling was always a bit of a mystery to me. I suppose for me it’s “in the cards” using this technique. My question to you: What are you curious about?

MATERIALS USED:
STANDARD PLAYING CARDS
ARTISTCELLAR STENCILS: Tibet Series, Traditional Japanese Series, Marked Series, Block Series, Halftone Dots Series, Sea Foam
TIM HOLTZ VISUAL ARTISTRY CURIOUS POSSIBILITY Rubber Stamps
STUDIO G Alphabet Rubber Stamps
HAND CUT STENCIL: Diamonds
PUNCHINELLA
ELMER’S RUBBER CEMENT
LIQUITEX WHITE ACRYLIC GESSO
LIQUITEX MATTER MEDIUM
DECOART Crackle Paste
MEMENTO DYE INK Tuxedo Black
PLAID ACRYLICS: Blue Sapphire, Amethyst, Blue Pearl, Pure Orange, Perfect Purple, Violet Pansy, Sunflower, Metallic Rose, Bright Red, Aquamarine, Pure Gold, Plum
DECOART: Splendid Gold, Sunny Day
DINA WAKLEY: Lime
NATURAL SPONGE
SANDPAPER
TIM HOLTZ DISTRESS CRAYONS
DYLUSION SPRAY: Bubble Gum
POCKET PAGE PROTECTOR
VARIOUS EPHEMERA: Paper, Rubber Stamps, Dover Publications Images, Rub-On Lettering

Thursday, 27 April 2017

Restoring the Balance...

“Don't it always seem to go
That you don't know what you've got
Till it's gone
They paved paradise
And put up a parking lot”
“Big Yellow Taxi” - Joni Mitchell
Why is that song stuck in my head? Like me, have you ever wondered how a fragment of a melody started what seems like a never-ending loop in your brain?  Did a memory trigger the earworm? Perhaps it was a date? I started working on my latest collage on Earth Day…so it’s no wonder Joni Mitchell’s “Big Yellow Taxi” became my musical imagery repetition inspiration.

And here my collage begins. I love my Strathmore Visual Journal. The spiral binding allows me to place the book flat on my work surface. This makes experimenting on the page easy. There’s no holding back a cover or other pages getting in the way.  It’s such a time saver, especially when working entirely conventionally.

The collage began with a discarded page from a dictionary I found in my box of unbound books pages.  I couldn’t believe my luck when I saw the listing included the word “taxi”.  I attached the page to the Journal using matte medium…a quick coat to the paper and back of the dictionary page.

When dried, I started the work from the outside in. I painted the border of the page with Dina Wakley Lemon heavy body acrylic paint. For the center I mixed Dina Wakley Ruby and Lemon and created a glaze using the Golden Glazing Fluid. It’s a great product. The Fluid allows you to hold vibrant colour, yet produce a lovey transparent effect.

Now it was time for the part I love best…the stenciling. I started with the Artistcellar Blocks Series-Open Work which mirrored the checker board pattern on the taxi perfectly. I wanted an organic shape to compliment the patterns I created on the page. Artistcellar Playful Pod’s Petite Pods fit the bill. It complimented the design just as I had hoped.

I’ve rediscovered how much I enjoy using Dylusion Sprays. I have to admit Bubble Gum Pink is my favourite. The pop of colour is exciting, especially as the hue stays true…no fading when dry.

All that was left was to add the ephemera and texture techniques. It’s been fun working with Seth Apter’s “low-tech” materials. In this piece I created the textured lines with corrugated board and gesso. I had a piece of anaglypta wallpaper. The flower pattern worked well with the gesso technique…subtle but effective. I even added a few words from transfer lettering I had in my collection. From a selection of old newspapers I found the headline: "Restoring the Balance". Perfect.

As collage and mixed media artists we embrace the mantra of reuse and recycle.  For us everything old is new again. In our work, our life, the environment: Aren’t we all trying to restore the balance? And often balance is not perfection. “Give me spots on my apples, But leave me the birds and the bees.” Let’s hope it’s not too late.

MATERIALS USED:

Thursday, 20 April 2017

Libraries - Sharing the Passion of Learning

The Journey From There To Here  - Collage
Is there anywhere more wonderful than a Library? From expansive to diminutive all share the passion and joy of learning.

If you are in the Carlisle, PA area please stop by the Bosler Library on West High Street near Dickinson College. Carlisle Arts Learning Center (CALC) exhibits member's works at the Main Entrance. This month I am taking part.

To read more about the beautiful Bosler Library and the exhibit, please visit this link:
EXHIBITS AT BOSLER

My Grandfather pictured in the collage was a great lover of Libraries and Museums. He and my Mom spent wonderful hours together discovering the joys that were there for the taking. My Mom passed this passion on to me. Libraries helped to shape my life. They give my artist's soul wings! Visit your local Library today!

Saturday, 25 March 2017

Dreaming of Home

“Beds, three tiers high, were still not sufficient to accommodate the 5,000 immigrants who arrived daily. Many, like this young woman, were forced to sleep on benches, chairs, or on the floor.”             – Lewis W. Hine –

When travelling, have you ever felt bone-weary…so tired you feared the next step? Have you ever been stranded in an airport, with nothing but what seemed like unending hours until the next flight? I have. And if you are like me, I am sure all you could think of was getting somewhere, anywhere, to sleep. To lessen the discomfort of my situation, I like to visualise of my cozy bed at home, covered with a warm, colourful quilt.

My inspiration for this collage was a photograph from the Hine Collection. As an educator, Lewis W. Hine encouraged his students to use photography as a tool for social change. He often held his sociology classes at Ellis Island. In five years, 1904 to 1909, he produced 200 photographs of the immigrants passing through the Island. The young woman trying her best to get some sleep is one I thought fit perfectly with the new Artistcellar Quilt Stencils.

The new series features four quilt designs: The Bear Claw, The Star Flower, and the two I chose to use, The Ohio Star and the Amish Star. Living close to Lancaster, PA it’s nice to see the Amish star included in the series.

Going back to my Strathmore Journal, I sponged on layers of acrylic paint, letting each dry between applications. Having the stencils in both the 6” x 6” and Pocket size is really useful. In my work, I used both. Again, the quality of the stencils didn’t let me down. Even though the paint was dry between multiple layers, clean up was a snap, with each stencil back to immaculate condition. I built the background quilt layer by tiling the image as on a true cloth covering.

Completing the collage, I drew upon my collection of ephemera. I surrounded the Slavic lady with what I imagine surrounded her: mountains of paperwork as she made her way through the Ellis Island process.

And was she like you and me, tired and sleepy, dreaming of a familiar place to rest? Did her dreams include quilts and thoughts of home?

MATERIALS USED:

Thursday, 9 March 2017

What's Your Bag, Man?

"Hey man, what’s your bag?" Couldn’t help but think of this relic of the Sixties when I discovered the theme of a French Mail Art Call was to recycle paper bags. As it happened, I was on my way home from one of my favourite restaurants, Neato Burrito, with my mission style burrito safely tucked away in a brown paper bag.

As you can gather by the name, Neato Burrito has a definite retro vibe. Now with several locations...and I’ve visited them all...you create your burrito by choosing from a delicious assortment of tortillas, rice, beans, meats, salsas and vegetables.  Their jalapeno feta salsa is to die for and was just the inspiration I needed! I also wanted to have fun and there’s no better way for me than to dive into conventional collage work. I love being a recycler of images from a past age. Guess that’s my bag.

I started the project by deconstructing the paper bag at the seams. I liked the printed messages and did my best to keep them as part of my finished envelope. The brown paper was the perfect background for Artistcellar Halftone Dots Series. Stenciling with the largest dots first I changed colours as I progressed through the series. The Artistcellar Traditional Japanese Series is wonderful when you are looking for a pop of colour to accent your work. I picked the Cherry Blossom stencil to do just that.

As many collage artists know, the most wonderful ephemera are gifted to us through the US Postal Service. A gem recently dropped in my mailbox courtesy of a local gas station chain. The image of the woman on the front of the brochure was crying out for a new home...and I had just the place for her! The pinup style illustration fit perfectly with the layout I had in mind. And I liked the feeling of continuity...mail that came to me is now part of a recycled piece to be sent abroad.

When you visit the restaurant it’s great to see the selected vintage advertising that deftly crosses several decades. Motivated by the Neato Burrito experience I rummaged through the classified sections of magazines of the era. Happy with what I found, I surrounded the woman with a plethora of choices. Isn’t that what advertising is all about?

And here you have the final product, just waiting to be addressed, stamped and sent off to France. As they say, everything old is new again...so, I put the question to you: What’s your bag?

MATERIALS USED
  • ARTISTCELLAR Halftone Dots Series, Traditional Japanese Series
  • DECOART Sea Glass, Dazzling Champagne Gold
  • CRAFTSMART Sea Mist Pearl
  • PLAID Sunflower, Pure Orange, Metallic Bright Red, Rose, & Amethyst
  • NATURAL SPONGE
  • VINTAGE & CONTEMPORARY EPHEMERA, STANDARD MAIL, PAPER BAG, VINTAGE MAGAZINES

Friday, 3 February 2017

We Lift Each Other...

“You will rise by lifting others.” - Robert G. Ingersoll

When times are bleak we seize the smallest glimmer of hope wherever we encounter it. I find myself in the midst of such times. For me, turning to my Art is a way of trying to make sense of what is clearly chaos.

I started my journey in Art as a printmaker. The mechanics of cutting a woodblock or prepping a stone always fills me with the comforting feeling of whispered anticipation. Working with the Speedball Lino Cutter and Speedycarve block was like visiting an old, sympathetic friend. And the timing couldn’t be better.

I drew simple butterfly shapes on to the Speedyblock as I wasn’t sure how easy it would be to carve. I must say, it was like pushing a warm knife through butter. Now that I am familiar with the block, I am looking forward to using it again on more finely detailed work. I inked up with both a conventional stamp pad and acrylic paint to print the image. Both were successful, but I preferred the acrylic paint finish. When dried, I coloured the butterflies using Twinkling H20 watercolours. I love their shimmer and rich hue…keeping true colour even when dry.

I adore the variety and durability of the Artistcellar stencils. Adding to my Strathmore Journal, I grabbed the Halftone Dots and Seafoam stencils. I wanted to create a feeling of randomness. I allowed the stencils to drop to the paper without positioning them. My selection of acrylics was as accidental.

When all of the elements were complete, I scanned and began the final composition.

It is impossible to ignore the events surrounding us. The implications are global. But through it all, my spirit is renewed.  Each time I see a new group of concerned individuals lifting their voices in unison, I know we are seizing the essence of what makes us truly American. Like soaring butterflies, our differences are celebrated. And we will only rise when we support and lift each other.