Showing posts with label labyrinth. Show all posts
Showing posts with label labyrinth. Show all posts

Friday, 8 June 2018

What Would Happen If...

“What would happen if…” – Daniel Keyes
 Have you ever wondered "what would happen if"…and if you did, where did your thoughts take you?

As PBS has launched the Great American Read, I decided to revisit my favourite book, Daniel Keyes’ “Flowers for Algernon” a tale of what would happen if intelligence could be altered through surgery. I am captivated by the creative process. I enjoy seeing the preliminary drafts of a work as much as the final piece. Keyes’ “Algernon, Charlie and I – A Writer’s Journey” not only described his method of fiction writing but the inspiration for “Flowers”. I was in bibliophile paradise!

Motivated by my stack of hardback book covers I decided to choose a light coloured cover for my next Artistcellar Design Team project. Inspired by the story I made my own inkblot on tissue paper. Once glued to the board the rest of the elements fell into place. The bottom image transfer was copied from a 1950’s post card. Bit and pieces of paper were added building up the layers. I glued dried hydrangea petals across the composition.
Artistcellar stencils have a great selection of designs in their collection. I chose one from the Labyrinth Series. The Chartres stencil was a perfect fit. The maze like pattern not only added an interesting design, but enhanced a key component of the story.
To brighten the composition I added acrylics using only a portion of the Infra stencil. Again, with just a bit of painter’s tape as a mask you can achieve the look you are after. However you chose to use them, they are never damaged and clean-up is a snap….the essential quality I look for in stencils.
Hopefully my collage will give you a hint of what “Flowers for Algernon” is all about without giving too much away. If you aren’t familiar with the story perhaps this post will spark your interest. With a bit of luck it will also inspire you to explore your passions and journey to what would happen if…
 MATERIALS USED:
  • ARTISTCELLAR STENCILS: QUASICRYSTALS (Infra), LABYRINTH SERIES (Chartres)
  • HANDCUT DIAMOND STENCIL
  • HIGGINS BLACK MAGIC DRAWING INK
  • DECOART: Blue Harbor
  • DYLUSIONS PAINT: Crushed Grape, Squeezed Orange, Bubblegum Pink
  • DYLUSIONS SPRAY: Bubblegum Pink
  • REEVES: Bronze, Gold
  • LIQUITEX MATTE MEDIUM
  • NATURAL SPONGE
  • PAINTER’S TAPE
  • TISSUE PAPER
  • WAX INFUSED PAPER
  • LASER PHOTOCOPY  
  • FLOWER PETALS
  • HARDBACK BOOK COVER

Wednesday, 26 October 2016

Searching for Letters Abroad

“There are places I remember
All my life though some have changed
Some forever not for better
Some have gone and some remain
All these places have their moments
With lovers and friends I still can recall
Some are dead and some are living
In my life I've loved them all”  
In My Life - John Lennon

Of late, the Full Moon has been my time of introspection. Urged on by the changing of the seasons, so it was again this month. The feeling of melancholy surrounds me as I see the leaves change colour and begin their spiral dance to the earth. And the progression continues with change as the only constant.

I have mentioned how much the Artistcellar Labyrinth series has inspired my work. Believing in Synchronicity, they came to me just when I needed them most. This time my chosen stencil to work with was Gonzaga. I love the clean straight lines. It would be a superb counterpoint for the elements I collected for the collage.

A new medium for me is the Deco Art Media Crackle Paste. Application is easy and all that is needed is a palette knife and patience to allow for an adequate drying time. I picked a piece of copper metallic writing paper for my substrate. As I spread the paste through the stencil I wondered how it would hold up. Would this technique be its demise? It’s an interesting process to watch. The thickness of application varies the size of the eggshell cracks. And like magic…there they were. I pulled the stencil away from the paper and started my clean-up. I’m happy to report, as with all Artistcellar products, cleaning was easy and the stencil held up beautifully. Quality, quality, quality!

Hearing “In My Life” on the radio brought back so many wonderful memories from a time before email. It’s no secret that I am a passionate lover of the written word. Letters, postcards…anything in the mail is nourishment for my Muse! I relish the anticipation as much as the delivery. Just to see an address in a familiar hand is uplifting. I wanted my theme for the collage to be the art of correspondence.

I admit I find it difficult to meditate. So many ideas, so many images interrupt what should be a place of quiet and wonder. By using the labyrinth as the focal part of my work, I am getting closer to quieting my mind. The Labyrinth pulls together my random thoughts. So the work you see here is an attempt at stream of consciousness meditation, for lack of a better phrase.

It was time to complete the collage. Drawing from my Book of Backgrounds (aka the Strathmore Mixed-Media Visual Journal) I selected other stencil designs I created: Halftone Dots, Seafoam, and Open Works from the Blocks series. Placing the images went smoothly…as if they knew where they should “live”. I allowed myself to feel, and to journey looking back at what once was with a definite optimistic view of the future. I recognise that accepting change is an integral part of the progression.

In my life all these places had their moments. And for that I am grateful.

Shameless Plug: The Labyrinth Series in addition to other works incorporating Artistcellar Stencils will be on show at the Oyster Mill Playhouse, Camp Hill, PA November 4 through November 20, 2016

MATERIALS USED:

Wednesday, 12 October 2016

To Find Deep Stillness...

“Don’t think. FEEL! It is like a finger pointing a way to the moon. Don’t concentrate on the finger or you will miss all that heavenly glory!”   Bruce Lee – “Enter The Dragon” 

The Artistcellar Labyrinth series holds great inspiration for me. The variety of designs is an encouragement to slow down and listen, and to allow their voice to guide you. Or in the words of Bruce Lee, “Don’t think. FEEL!”

So it was, during the last full Moon, with my Strathmore Journal in hand, that I started my next design. I chose the Anasazi stencil. My heart was telling me it was the right one to use.

I stencilled directly on to the page in my Journal with Dye Na Flow Midnight Blue. By drying between applications I was able to produce a dappled effect of varying shades. Once the base was complete I layered lunar inspired colours of metallic acrylic. Warm highlights were added to accent and compliment the cool.

It is wonderful to experience the positive aspects of the full Moon by revising goals and setting intentions. Because of this powerful lunar energy, meditation is encouraged. I find just looking at the Moon introduces calm and stillness to what is usually a frenetic life. Mindfulness is highlighted. It is the perfect time to seek the benefit of walking a Labyrinth.

It was my time to put the work together. I’ve mentioned that I am compiling a great collection of images in my journal and from there I chose a watercolour swatch in shades of indigo. I also selected the Open Work stencil from the new Artistcellar Blocks series.  It has become one of my favourites!

The Bruce Lee Estate recently released a series of his 1968 pocket notebooks.  He filled them in neatly written script noting appointment details, affirmations, and his philosophy on life. They are inspirational. Reading through them, you can’t help but see how his life and work were intertwined…the fluid with the sharp, the public with the personal, and the strong with the sensitive. But above all, he had the power to still the mind and allow his spirit to soar. He found the compliment in opposites.

I kept his quote foremost in thoughts while working and allowed the collage to build itself. I wasn’t thinking of technique but rather was permitting the elements to find their own home. I allowed myself just to feel. When my collage was finished, I knew I had discovered a place of deep stillness. And once there I too did not will miss all that heavenly glory.

MATERIALS USED

Wednesday, 14 September 2016

Finding Power, Love & Serenity

"Travel brings power and love back into your life." – Rumi

TRAVEL: To go from one place to another, as on a trip; journey.

From the time I was a child the word “travel” was the genesis of my wanderlust. I couldn’t walk past a travel agency without stopping to look into their store window. Gazing at posters showing incredible scenes of cities that seemed so far away only fed my desire to travel.  I wanted to learn about the lives of the people depicted in those posters. I wanted to see for myself the towns and cities that looked so enticing even when viewed through a plate-glass window. I wanted to put pins in a map of all the places visited.  I knew I was destined to live a nomadic life.

And I have been lucky. I have visited almost all of the places that sparked my interest. And I found when traveling my journey enriched not only my physical but my spiritual life as well.  And this is why I am in love with the beautifully crafted Artistcellar Labyrinth series. Let me tell you about the journey I wandered in creating this collage.

Starting with my Strathmore Journal, I covered a page with Dye-Na-Flow Midnight Blue fabric paint using a 1” foam poly brush. While still wet, I splashed on Dye-Na-Flow Magenta followed by dripping rubbing alcohol into the wet dye. As the page dried a soft floral pattern emerged.

Although I liked the effect, I wanted to see how the dye would react on Mineral Paper. But this time I drizzled on a bit of rubber cement before coating the paper.  The beauty of Mineral Paper didn’t disappoint! I liked the way the resist seemed to flow with the dye one enhancing the other. Although the technique was the same, I now had two distinct looks. Where my journal paper produced a soft velvet effect, the mineral paper was watery, wild and wonderful. Looking at the backgrounds, I couldn’t decide. Which one should I use in the final work?  As the saying goes “You can never have too much of a good thing”, so opted to use both.

In my last collage I featured the Chartres stencil. This time I knew Crete was the one to use and stenciled directly on to the page in my Journal beginning with Viva Decor Inka Gold. I liked the effect I got the last time I used this product and polished it when dry with a soft cloth. It then became a wonderful base for shades of Silver, Gold, and Rose Red acrylics. The final element added was a vintage map.

Just working with the Labyrinths allowed me to recall the memories of my journeys. I believe travel empowers you to wander with purpose and explore the passions that drive you. Travel is more than the physical movement from one place to another. Travel resurrects the desire to explore within and find love and serenity in just being present.


MATERIALS USED
PLAID FOLKART METALLIC ACRYLICS: Rose
REEVES ACRYLICS: Silver, Gold, Rose Red
DYE-NA-FLO: Turquoise, Midnight Blue, Magenta, Sun Yellow
VIVA INKA GOLD GLOSS PAINT
NATURAL SPONGE
SOFT CLOTH
1” FOAM POLY BRUSH
RUBBING ALCOHOL
RUBBER CEMENT
MINERAL PAPER
STRATHMORE Mixed-Media Visual Journal 300 Series- 5.5" x 8.5"
LABYRINTH SERIES STENCILS FROM ARTISTCELLAR
DIGITAL IMAGES – Purchased & Created

Wednesday, 31 August 2016

Finding Your Center....


“Say not, ‘I have found the Path of the Soul’. Say rather “I have met the soul upon my Path’”
-Kahlil Gibran

Have you ever walked a Labyrinth? Have you thought about it, but perhaps don’t have one near enough to easily visit? If that’s the case, new addition to the Artistcellar stencil collection is for you!

Unlike a maze with twists and turns designed to challenge the walker with the possibility of misdirection, think of a Labyrinth as an empathetic guide. Regardless of design, the winding paths all lead to a single point. The objective of a maze is to reach the center. The objective of a Labyrinth is to reach your center.

Labyrinths embody the saying “It’s all about the Journey”. Not aligned to any specific religious tradition, the beauty of walking a Labyrinth is its ability to slow you down and allow you the opportunity to seek comfort and wholeness for your soul.

We are fortunate to have a wonderful Labyrinth at the Unity Church of Harrisburg. Built in 2007 it is of a medieval or Chartres design. I have walked it and continued my journey in their Peace Garden, always leaving relaxed and renewed. This is the reason why I was delighted to receive the new Artistcellar Labyrinth stencil series…and so happy to see the Chartres design is included. And as with so many things in life, it came at just the right time.

This Summer has been a whirl of activity…some wonderful experiences and others less so. But one thing is certain. I need to slow down, to regroup, and to revive. Having the stencil in my hands was the first step in the right direction.

My Strathmore Mixed-Media Visual Journal has become my “go-to” at the moment. I like the size and quality of the paper. The Chartres stencil was a perfect fit on the page. My stenciling efforts are now part of a growing collection of images ready and easy to use.

I had a general idea of the elements I wanted to include in my final design.  Looking through my box of acrylics I chose colours in the purple family:  Amethyst and Plum and gold for an accent. I wanted a slightly worn feel, so I began stenciling with a natural sponge. Although the colours complimented each other, and I liked the texture, something didn’t feel “right” about it.

After cleaning the stencil I went back to the box of acrylics to choose shades of green: Aquamarine and Blue Topaz.  And suddenly everything fell into place. The texture and colours worked just as I imagined. I added further highlights of sunflower and Viva Inka Gold which I burnished with a soft cloth to a brilliant sheen. To complete my image, I placed it on a background mixing the sense of earth and a sky sprayed with stars.

And there it was…the Labyrinth just as I envisioned it. A sensation of well-being washed over me, just as it does when physically walking the winding path. Still, one aspect of the work puzzled me. I’m normally not a great lover of shades of green and usually don’t feature it in my art. But here it worked. And thinking it over, a thought came to mind: The Heart Chakra. Of course…just working with the Labyrinth stencil guided me to reach my center. And there I placed a Heart Chakra symbol.

I have read of the use of “Finger Labyrinths” for meditation. After creating with the Artistcellar stencil I firmly believe it works.  I would like to share this with you.  Please feel free to download my art and walk the Labyrinth with me.

And why not try your hand using the new stencil series in your own art? As with all Artistcellar products, the quality of the stencils opens the door to creativity for years to come.

Will you walk the winding Path to find your center? I’d love to hear about your adventures.


MATERIALS USED

PLAID FOLKART METALLIC ACRYLICS: Aquamarine, Blue Topaz, Champaign, Antique Gold, Amethyst, Plum

PLAID ACRYLICS: Sunflower

VIVA INKA GOLD GLOSS PAINT

NATURAL SPONGE

SOFT CLOTH

STRATHMORE Mixed-Media Visual Journal 300 Series- 5.5" x 8.5"

DIGITAL IMAGES – Purchased & Created