Finding Your Center....

“Say not, ‘I have found the Path of the Soul’. Say rather “I have met the soul upon my Path’”

-Kahlil Gibran

Have you ever walked a Labyrinth? Have you thought about it, but perhaps don’t have one near enough to easily visit? If that’s the case, new addition to the Artistcellar stencil collection is for you!

Unlike a maze with twists and turns designed to challenge the walker with the possibility of misdirection, think of a Labyrinth as an empathetic guide. Regardless of design, the winding paths all lead to a single point. The objective of a maze is to reach the center. The objective of a Labyrinth is to reach your center.

Labyrinths embody the saying “It’s all about the Journey”. Not aligned to any specific religious tradition, the beauty of walking a Labyrinth is its ability to slow you down and allow you the opportunity to seek comfort and wholeness for your soul.

We are fortunate to have a wonderful Labyrinth at the Unity Church of Harrisburg. Built in 2007 it is of a medieval or Chartres design. I have walked it and continued my journey in their Peace Garden, always leaving relaxed and renewed. This is the reason why I was delighted to receive the new Artistcellar Labyrinth stencil series…and so happy to see the Chartres design is included. And as with so many things in life, it came at just the right time.

This Summer has been a whirl of activity…some wonderful experiences and others less so. But one thing is certain. I need to slow down, to regroup, and to revive. Having the stencil in my hands was the first step in the right direction.

My Strathmore Mixed-Media Visual Journal has become my “go-to” at the moment. I like the size and quality of the paper. The Chartres stencil was a perfect fit on the page. My stenciling efforts are now part of a growing collection of images ready and easy to use.

I had a general idea of the elements I wanted to include in my final design.  Looking through my box of acrylics I chose colours in the purple family:  Amethyst and Plum and gold for an accent. I wanted a slightly worn feel, so I began stenciling with a natural sponge. Although the colours complimented each other, and I liked the texture, something didn’t feel “right” about it.

After cleaning the stencil I went back to the box of acrylics to choose shades of green: Aquamarine and Blue Topaz.  And suddenly everything fell into place. The texture and colours worked just as I imagined. I added further highlights of sunflower and Viva Inka Gold which I burnished with a soft cloth to a brilliant sheen. To complete my image, I placed it on a background mixing the sense of earth and a sky sprayed with stars.

And there it was…the Labyrinth just as I envisioned it. A sensation of well-being washed over me, just as it does when physically walking the winding path. Still, one aspect of the work puzzled me. I’m normally not a great lover of shades of green and usually don’t feature it in my art. But here it worked. And thinking it over, a thought came to mind: The Heart Chakra. Of course…just working with the Labyrinth stencil guided me to reach my center. And there I placed a Heart Chakra symbol.

I have read of the use of “Finger Labyrinths” for meditation. After creating with the Artistcellar stencil I firmly believe it works.  I would like to share this with you.  Please feel free to download my art and walk the Labyrinth with me.

And why not try your hand using the new stencil series in your own art? As with all Artistcellar products, the quality of the stencils opens the door to creativity for years to come.

Will you walk the winding Path to find your center? I’d love to hear about your adventures.

MATERIALS USED

PLAID FOLKART METALLIC ACRYLICS: Aquamarine, Blue Topaz, Champaign, Antique Gold, Amethyst, Plum

PLAID ACRYLICS: Sunflower

VIVA INKA GOLD GLOSS PAINT

NATURAL SPONGE

SOFT CLOTH

STRATHMORE Mixed-Media Visual Journal 300 Series- 5.5" x 8.5"

DIGITAL IMAGES – Purchased & Created

Are You A Canvas?

MID-CENTURY MODERN DREAMS - Collage

 “Fashion is Art and You are the Canvas!” – Velvet Paper

Fashion truly is Art! From Haute Couture to Prêt-à-Porter the designer escorts us through their passionate journey.  Colour, form, and pattern: our shared tools of the trade inspire them to make their concepts tangible. And how heartening it is to be wrapped in someone’s dream!

When my Artistcellar box arrived in the mail I couldn’t wait to experiment with the Marked Series Stencils. With circles, X’s, and an interlocked ladder the graphic feel made me think of Mid-Century Modern art and interior design. And I was in luck: my Artistcellar treasure trove also contained Dylusion Bubble Gum Pink Ink Spray and Dina Wakley Lemon and Lime acrylics. The stencil pattern and my acrylic colours were perfect for taking me back to the time of Bakelite telephones and the Camel cigarette man wafting smoke rings across Times Square from his billboard.

I wanted to start with the background. I went to a new page in my Strathmore Mixed-Media Visual Journal. The ladder stencil and Dina’s Lemon acrylic came first. Slowly, I built up the layers using each stencil in the collection and a variety of acrylics. Then came time to throw caution to the wind! I grabbed my Dylusion Bubble Gum Pink ink and sprayed away. I loved the hot pink colour, mopped up a bit with my sponge and pushed it through the stencil. I really was pleased with the effect and will be adding it to my favored techniques. I completed the background with Punchinella, Artistcellar Halftone Dots Stencils and metallic acrylic.

I know I’ve mentioned it before, but I love the fact that the Artistcellar stencils hold up to anything I throw at, or push through them. Clean up leaves them in perfect condition ready for my next project.

Now that I had my background ready, and my colours were just as vibrant as they were wet, I knew the focal point needed to be just as bold. I am a great fan of black and white fashion photography of the 1950’s. I chose a photo of a woman, head titled back, with eyes slightly closed. What was she dreaming about… Perhaps a great adventure? And who would accompany her? And most of all, what clothing would she pack! I thought of the Bakelite phone…and the phone book she would peruse. To the left of the work you will see a page which I infused with bee’s wax.

This is what I love about Art. We have countless ways to express what comes from deep within us. With so many tools at our disposal we are only limited by our imaginations. By sharing what is essential to us we give it life, and hopefully nurture the spark in others. 

So the next time you put on that favourite piece of clothing, just think…you are the canvas helping to make a designers soul immortal!

MATERIALS USED: 

• ARTISTCELLAR MARKED SERIES STENCILS
• ARTISTCELLAR HALFTONE DOTS SERIES STENCILS
• PUNCHINELLA
• DYLUSION BUBBLE GUM INK SPRAY
• DINA WAKLEY LEMON & LIME ACRYLICS
• REEVES METALLIC ACRYLIC: GOLD, ROSE RED, BRONZE
• PLAID FOLK ART METALLIC ACRYLICS: AQUAMARINE, AMETHYST, CHAMPAGNE
• NATURAL SPONGE
• STRATHMORE MIXED-MEDIA VISUAL JOURNAL
• BEES WAX
• TELEPHONE BOOK PAPER
• DIGITAL IMAGE – FASHION OF THE 1950’S

Do You "See"?

"Photography helps people to see." – Berenice Abbott

Do you “see”? Do you mindfully take time to appreciate the glorious sights that surround you? Do you find similarities in beliefs and dreams reflected where you least expect them?

The incredible photographic work of Berenice Abbott is without a doubt thought-provoking. And while I agree that photography helps you to see, I also think music, literature, painting, printmaking, drawing, and in my case collage, also encourages introspection.

My passion for New York runs deep. While many people find rejuvenation rambling through the countryside, the sound of my heels clicking a staccato rhythm on the sidewalk sets my soul on fire. And if I can’t physically be in New York, Berenice Abbott’s dramatic black and white photos are a passport not only to my hometown, but to another time.

Looking at Abbott’s catalogue housed at New York Public Library, I decided to work with a photo of a Manhattan courtyard on laundry day taken in the 1930’s. The realist in me knows doing laundry in the tenements was a back-breaking job at best. But the romantic in me yearns for the days of seeing clothes strung on a line, the patterns and colours enhanced by the sun and wind.

I knew I needed a background as dramatic as the photo. I chose a handmade scarf completed at a workshop I attended at the Carlisle Arts Learning Center. The silk chiffon was accordion folded, secured with wooden blocks, drizzled with reactive dyes and steamed in the microwave to set the colour. It was the first time I tried this technique and I was extremely pleased with the results.

The warm tones of coral, orange and yellow were the perfect framework for the cool palette I chose when using Artistcellar’s Seafoam stencil. The foamy look of the stencil merged perfectly with my wash day theme. And that’s what I love about the Artistcellar products. The only limit to their use is your imagination. With a swash of watercolour, a splash of acrylics and Artistcellar Halftone Dots, my background was nearly complete.

But something was missing. Looking at the patterns formed by the laundry I wondered what stories they had to tell. Life was challenging, but still there was hope. I wondered about the letters sent home to family and friends…some who would be making the journey soon and others would only experience Die Goldene Medina through their eyes. So I added the text in Chinese, Italian, and French.

The Arts are a mirror by which we see a reflection of ourselves and each other. A photo, a painting, a bit of prose...they all help us to truly see that hopes and dreams are passions we all share.

MATERIALS USED:

• ARTISTCELLAR SEAFOAM STENCIL
• ARTISTCELLAR HALFTONE DOTS SERIES STENCILS
• 100% SILK CHIFFON SCARF
• REACTIVE DYES: CORAL, YELLOW, ORANGE
• WOOD BLOCKS
• STRING
• ROYAL LANGNICKEL WATERCOLOURS – FLAT & PEARLESCENT
• REEVES METALLIC ACRYLIC: GOLD, BRONZE
• PLAID FOLK ART METALLIC ACRYLICS:ROYAL GOLD, AQUAMARINE, AMETHYST,
  PLUM, ROSE, CHAMPAGNE
• NATURAL SPONGE
• FLAT PAINTBRUSH
• RUBBER CEMENT & ERASER
• DIGITAL IMAGES

Want To Get Your Creative Pulse Racing?

Although it's not quite Summer, a hint of quiet anticipation is stirring in the air. The joy of longer days stretching ahead promise time for activities we planned to do "when we get around" to them. Mentally we prepare for the elusive three R's: Rest, Relaxation and Rejuvenation. And what better way to begin the journey than by taking your Pulse?

Mixed Media Artist, Designer, Instructor, and Author Seth Apter has embarked on the sixth edition “The Pulse”. Published each Wednesday, the collaborative project is a showcase designed to "introduce you to new artists, help you get to know familiar faces even more, further your own artistic expression, and allow you access into the creative hearts and minds of a very talented crew of individuals."*

The question posed this time was: What is the one technique or tool that you cannot live without? 

My response focused on technique. I am delighted to say my collage of woven paper "Pulp" is included in the collection. For me, it's all about the story and the process of weaving the paper is not only meditative. I find just as our unique family histories interlace to form something new, so does this technique.

So as Spring transforms into Summer why not start your own tradition of Rest, Relaxation and Rejuvenation by visiting Seth’s Blog, The Altered Page? Reintroduce the spirit of creativity into your work not only with “The Pulse” but with Seth’s posts on a variety of topics and techniques. They will certainly get your creative pulse racing!

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*Quote taken directly from "The Pulse"

Art In A Magnificent Setting...

The Mystery of Violet Oakley - Collage

I have always loved visiting the Pennsylvania State Capitol Building in Harrisburg. It has it all: sweeping exterior staircases, incredible marble sculptures, murals beyond compare, and Commonwealth, resting atop the dome, a gilded fourteen foot six-inch statue I had the pleasure of seeing at ground level after restoration.

This is why I am so excited, and honoured, to be included in the Fifth Annual Daily Painters of Pennsylvania Group Exhibition taking place in the East Wing Rotunda for the month of July 2014.

The Daily Painters is Blog devoted to artists living in Pennsylvania. The diversity and standard of work is magnificent. I love visiting the Blog because it takes me back to my Art School days where we were able to view work in progress, and careers in transition, in an encouraging environment.

For the exhibition we each submitted three works. I chose The Mystery of Violet Oakley as one of my pieces. The Pre-Raphaelite influenced work of Violet Oakley is no stranger to us living in the Harrisburg area.  Forty-three murals grace the walls of the Capitol. Violet was the first woman artist to receive a commission of such magnitude in the United States. Her extraordinary talent and life inspired my collage.

As one of the Red Rose Girls, Violet shared her life with Jessie Willcox Smith and Elizabeth Shippen Green. Living together encouraged a climate of extreme creativity and speculation on the true nature of the arrangement, a mystery that would never be fully solved.

The substrate for my collage is canvas. In addition to the photo of Violet, I used handmade and art paper, ribbon, joss paper, a letter written by Violet, and a pressed rose petal.

Although we Daily Painters don't physically live together, we do share a home base on the Blog. And like the Red Rose Girls, it is an enlightening and nurturing place to be.

Where Do Your Possibilities Dwell?

I Dwell In Possibility - Collage

In my studio, above one of my favourite camel bags, is a wall quote: "Dwell In Possibilities" paraphrased from the poem written by Emily Dickinson.

When inspiration is sometimes lost, I like to sit and let Emily's poem envelop me, like a quilt of ideas and images. And before I know it, I too am dreaming in a house of my choosing where the roof is as limitless as the night sky.

For Emily, poetry as opposed to prose allowed her the power and freedom of self-expression she was seeking.  And without the magic of poetry, her Muse, would her visitors be able to open the doors and windows of their soul?

The substrate for the collage is a canvas panel. A photo of Emily, floral art paper, magazine paper, vintage advertisements, and handmade paper form the grid. Washi tape and acrylic paint pushed through  hand cut stencils finish the collage.

Each of us in the Arts has a unique vision and purpose. Whether we build our house of paper and ink, or of paint and canvas, or movement, or melody, or words...aren't we extending an invitation to share in our endless passionate journey?

Where do your possibilities dwell?

Mixed Media Artists-Celebrate Earth Day Every Day!

Chasing Rainbows - ATC

Happy Earth Day! Over a billion people will share in celebration today, the forty-fourth anniversary of the annual day of awareness and action. And yes, this unabashed Tree-Hugger will be celebrating!

There is no question that we all have a role to play in taking care of the Earth. If we even make a small change, each one of us together can bring great transformations.

"Chasing Rainbows" is an Artist Trading Card. The substrate for the card is illustration board. Layered on the card is a combination of different coloured paint samples, handmade paper, joss paper, and a wrapper from a Hershey's Kiss. The quote is cut from an old dictionary. I finished the card by adding a decorative leaf.

But aren't we collage and mixed-media artists living the spirit of Earth Day every time we produce our work? Aren't we staying true to our Muse when we follow the path of nature and inspiration?

Who could not be inspired by all the magical wonders the Earth has to offer? Just think of what life would be like without the vastness of space, the infinite variety of colour presented to us with each sunrise and sunset, the boundless texture and form of soil, the nurturing sensation of rain...giving way to rainbows, when we are fortunate enough to see them.

We mixed media artists do chase our own rainbows in our own way....our mantra "reuse and recycle". And haven't the resulting finished art been incredible!

May you have a wonderful, inspiring Earth Day...each and every day!

Powerful Women...in the Digital Age

Powerful Woman Digital Collage

What could be more beautiful than a powerful woman?

The image was constructed for a Press Kit for the  Egyptian Moon Dance Company Powerful Passionate Woman Retreats. As much as I like to see the traditional two piece costumes, called a bedlah, on dancers in promotional material, I wanted something different for my work. After all, I am exploring my mantra: "The Heart of Belly Dance™".

Dance and Art are so intertwined in my life that it is hard for me to separate the two. It is something that has been with me for as long as I can remember. It is the reason I do not dance under a "stage name".  Many dancers like to take on another name in their dance life. For some dancers it makes them feel more authentic..that it is part of the illusion they are creating. A fellow performer said it was like putting on the finishing touches to her costume. Dancers also look at it as a rite of passage. Teachers will bestow a name they feel is fitting for their student when they reach a certain level of expertise. Unfortunately, for some dancers it is a security issue, a way of keeping their private life private. While all of the reason for using a stage name are valid, I never felt the need. The Dance is something intrinsic. Where does it end and my "real life" begin? My Art Life quandary follows the same path...where does my Dancer life take over from my Illustrator life?

And so goes for the Digital v. Conventional collage debate. For me they are both tools I use to get the work as close as I can to what I see it in my mind's eye. The collage uses a variety of materials. I incorporated art papers, handmade papers, clipping from old magazines, rubber stamped images, various fonts, postage stamps, postage cancellation stamps, tissue paper, and vintage images. Most started conventionally and ended up in the digital format.  I wanted something that gave the feeling of beauty and grace. I am an aficionado of all things Nouveau and Pre-Raphaelite, so it was natural to have the Muse guide me in that direction. I chose the colour scheme to enhance the overall feeling of sweet languor.

The debate continues...digital or conventional collage. Why not both? I think the Muse would agree.

Somewhere...Beyond The Sea...

"Ocean Dreams"

Whenever I hear Bobby Darin sing "Beyond The Sea" my mind instantly is drawn to memories of Summer days on the beach at Coney Island. Everything about the song is perfect...the melody...the lyrics. The song always takes my mind and heart running back to a wonderful childhood in Brooklyn.

When I found out about The 1001 Journals Project I quickly signed up. The concept is great. To quote the website: "1001 Journals is an online community for people who enjoy writing, creating art, photography, and sharing their creations. Using three different journal types (traveling, location, and personal) users are able to share their thoughts with users around the world."

This page is from the "Ocean Dreams" Journal. I couldn't wait to start working on it. With Brighton Beach and  altered with handmade and found paper, postcards, stamps, old photos.

I've always loved the idea of a message in a bottle. In many ways, altering the journal and sending it on its' way is the same. I wonder if any of the 1001 Journals will end up in a time capsule?

Wouldn't that be a wonderful way to see our art survive!

Summer Is Just A Sigh Away...

"Four Seasons Suite - Summer" 5" x 7" COLLAGE

The collage is an homage to one of the best times of the year and is part of the "Four Seasons Suite" I have been working on.

I used a 5" x 7" canvas substrate. The handmade papers were altered using acrylic paint, alcohol, water, Ranger inks, and Perfect Pearls Mist. Tea dyed gauze crosses the canvas at the woman's eye level. Mulberry paper completes the top portion of the design.

I am crazy about Victoriana. The images from Dover books. In my opinion they have the best selection of all.

To quote Henry James: "Summer afternoon — summer afternoon; to me those have always been the two most beautiful words in the English language."

And Summer will be here before we know it!

Who Do You See...

Who Do You See When You Close Your Eyes?

Valentines come in all shapes, sizes...and with a varying degree emotion.

Keeping this in mind, I allowed my Muse to guide me through a selection of tissue and art papers.
The tissue from Starbucks was perfect! It had just the words I was looking for. Fascinated by logo design of all kinds, I have always been a fan of the graphics and marketing material the company has put together.  The Starbucks Siren  is iconic. And the mermaid set my mind adrift.

Is the love we have enough? Does Valentines Day give you a feeling of bliss or foreboding?  Are there questions you wish were answered? Do you feel, like the mermaid, that you are a mythical creature swimming in the uncharted waters of love?

The layout is the Bridge, which I have to admit is one of my favourites. I chose the colours in keeping with traditional Valentines. The substrate is a 5" x 5" canvas. Papers used are White Mulberry Paper, Printed tissue paper, handmade paper using acrylic paint and Ranger Inks inks, words from an old Dictionary, and tissue paper from Starbucks.

The rubber stamp of the woman's profile was just what I needed to tell the story of this Valentine.

"Who Do You See When You Close Your Eyes?". I wonder how often the question has been asked.

Earth Day...Forever Free

Forever Free

As it is Earth Day I thought I would post a collage with a nature theme. As the saying goes..."Earth without Art is Just "Eh". The Arts are what stirs our souls, makes us who we are, encourages us to follow our own Muse.

I started the piece with sewing pattern paper. I love the translucence and texture. It has a feeling of something not yet finished...the anticipation of what will be created.

The Substrate is canvas. Using the Tao format I felt would lend itself nicely to a visual breaking free.  The collage incorporates vintage ephemera, flower petals, handmade paper, sewing pattern paper, found objects, art paper, inks, dyes, and gauze.

And what better way to celebrate Earth Day? Collage is the ultimate in recycling And I think the Muse would approve...especially on Earth Day!

What Would Julia Do?

Travelling through France by car, I will never forget the incredible, intoxicating scent surrounding me as I neared the South. I had heard and read about garrigue...the heady signature aroma of Provence, but to experience it was more than I ever imagined it could be.

When thinking about "food" as inspiration for art, my first thought was to the warm and delectable food and drink from my travels. And I can't help but connect these flavours to years of watching Julia Child effortlessly whip up her creations on her television programme.

In the collage, I used vintage papers and images. The map was one I collected when travelling in the South of France. The recipe was from an old copy of Mastering the Art of French Cooking.

The  substrate is canvas. It’s been a long time since I have worked on canvas. I forgot how pleasant an experience it can be!

The sights, the smells of Provence...what would Julia do?

Collage: All Good Things....

Good Things Come To Those Who Wait

   

I am usually a torn paper person. I love nothing more than to experiment with paper. I adore the way paper speaks with a language all its own with a sound and finished look that is unique.

As this collage uses a grid, I decided to step out of the world of organic edges and into the orderly neighbourhood of Squares and Rectangles. I decided to enhance the angular feel by cutting all of my papers. A bit more time consuming and different to my "tear and glue" method of collage, but I enjoyed it all the same. I wondered if my Muse was trying to teach me a lesson in patience.

The collage incorporates art papers, postage stamps, ticket stubs, wallpaper, newspaper, dictionary clippings, art tissue paper, and handmade papers. I enhanced some of the papers with inks and dyes.

For the most part, I used Matte Medium to adhere the papers to the 6" x 6" canvas substrate. I am not a great lover of the colour green. I did find some beautifully textured green paper. I covered it with Iridescent Medium. It then gave me the texture I wanted and toned down the green which I'm really not keen on. 

But now for a title. The first line of my horoscope was "Good Things Come To Those Who Wait". A message from my Muse? Perhaps.