Powerful Women...in the Digital Age

Powerful Woman Digital Collage

What could be more beautiful than a powerful woman?

The image was constructed for a Press Kit for the  Egyptian Moon Dance Company Powerful Passionate Woman Retreats. As much as I like to see the traditional two piece costumes, called a bedlah, on dancers in promotional material, I wanted something different for my work. After all, I am exploring my mantra: "The Heart of Belly Dance™".

Dance and Art are so intertwined in my life that it is hard for me to separate the two. It is something that has been with me for as long as I can remember. It is the reason I do not dance under a "stage name".  Many dancers like to take on another name in their dance life. For some dancers it makes them feel more authentic..that it is part of the illusion they are creating. A fellow performer said it was like putting on the finishing touches to her costume. Dancers also look at it as a rite of passage. Teachers will bestow a name they feel is fitting for their student when they reach a certain level of expertise. Unfortunately, for some dancers it is a security issue, a way of keeping their private life private. While all of the reason for using a stage name are valid, I never felt the need. The Dance is something intrinsic. Where does it end and my "real life" begin? My Art Life quandary follows the same path...where does my Dancer life take over from my Illustrator life?

And so goes for the Digital v. Conventional collage debate. For me they are both tools I use to get the work as close as I can to what I see it in my mind's eye. The collage uses a variety of materials. I incorporated art papers, handmade papers, clipping from old magazines, rubber stamped images, various fonts, postage stamps, postage cancellation stamps, tissue paper, and vintage images. Most started conventionally and ended up in the digital format.  I wanted something that gave the feeling of beauty and grace. I am an aficionado of all things Nouveau and Pre-Raphaelite, so it was natural to have the Muse guide me in that direction. I chose the colour scheme to enhance the overall feeling of sweet languor.

The debate continues...digital or conventional collage. Why not both? I think the Muse would agree.

Not Only in Heaven....

Ocean Dreams Altered Journal Page

As the temperatures climb, my thoughts are drawn to anywhere refreshing and cool...especially the ocean. And the ocean to me means Coney Island. I loved everything about Coney Island...from the subway ride, to getting to the water by walking down the streets with the magical names...Surf Avenue, Nautilus Avenue, Neptune Avenue, and the best of all...Mermaid Avenue!

I have a fascination with Mermaids. The concept is so intriguing to me. The idea of living life in the ocean, swimming in the moonlight, wearing starfish in your flowing hair sounds wonderful to me. I like to think of the mermaids as benevolent, beautiful creatures...graceful as they swim, like Synchronised Swimmers with added drama and mystery.

The page is from a 1001 Journals Project journal. The theme was Ocean Dreams. What could be dreamier than vintage mermaids?

The page incorporates vintage images of mermaids and starfish, found paper, handmade paper, postage stamps, inks and dyes.

But best of all is the quote from Johann Heinrich Linck's De stellis marinis liber singularis written in 1733:

"Not only in heaven, but also in the seas are there stars."

And the mermaid's brilliance reflect in their celestial  light.

Sunflowers...Sunshine in an envelope

Seven Sunflowers

I love sunflowers. I love to plant the seeds and see them grow. I love to drive past fields filled with their golden yellow brilliance. I love the way their heads follow the sun. I love to collect pictures and photos of sunflowers. Vincent van Gogh's Sunflower series has always been an inspiration to me.

But most of all I love to draw sunflowers.

It's been a while since I've sat down to do any drawing. When I was a commercial screen printer, I drew every day. I drew anything from a customer's product to a cat for my mail order catalogue. It was production of the highest degree.

Of course, before those years there was Art School at the York Academy of Arts. Drawing was our foundation. Your work was only as good as the drawing beneath it...whether the finished piece be a painting, a sculpture, a print. This now applies to digital work. A lack of drawing skills is amplified a hundred fold in the digital realm.

And before that I drew because I loved it.

So in a sense, The Doodle Swap Project has brought me full circle.

The Project is similar to trading ATC's but the main focus is doodling/drawing/illustration. The size requirement is the same as an ATC. After registration and the cards are complete, you send them off to the list of names and addresses provided. Mine are ready to go to Alabama, Maryland, Utah, Massachusetts, Washington, and Pennsylvania.

The substrate is a standard ATC card. I used a Ranger's Inkssentials manila card. I drew in pencil. I then used chalk pastels to colour the drawing. The center of the sunflower is Tim Holtz Distress Ink stamped with a piece of fibrefill I found.

As I have had years of production work under my belt, I did each card at the same time...building up the drawings on each card, layer by layer.

I am looking forward to getting my Sunflowers in the mail. I am also looking forward to receiving art in the mail.

Thanks again, Doodle Swap Project. You reminded me how much I really love to draw.